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When an InkTip-approved producer starts to read your script, you’ve already piqued their interest with your dynamic logline and hooked them with your compelling synopsis and intriguing résumé, but now you need to reel them in with precise execution on the page, and that begins with a great opening sequence. Nowhere is more important than on television where every season a new batch of pilots contend for an audience.   Read More
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Scripted television is exploding. And if you are a screenwriter with experience primarily in the feature-length form, then you would do yourself well to start learning how to write a pilot.   Read More
In the cut-and-thrust world of television drama series production, can creativity work hand in hand with commercialism or does one override the other?   Read More
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You thought of an interesting premise and made sure your protagonist completed the hero’s journey. But your script still reads dry. It tends to drag. On top of that, you might have ideas for who can play the lead role, but you haven’t been able to think of whom else to cast for the other roles. One thing you’ve neglected: your supporting characters.   Read More
It's a fact of life – and perhaps even one of Murphy's Laws – that virtually anything you love to eat is bad for you and will ultimately consign you to a wretched demise. Conversely, anything you can't run away from fast enough   Read More
Most writers I work with at Script Advice, or those I have met in my fairly long career in creating drama for television, write with a compulsion. It is not something that they have any real control over. If you are reading this and nodding your head…great. You are in the right place and in good company.   Read More
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Why do we let process get in the way of getting what we want? And on that note, what do we really want? The conclusion to our series on “Why Talented Writers Fail” goes into why we must re-evaluate what we want and how to get there. How does pain relate to our success? Last time, we looked at four roadblocks that obstruct writers from capitalizing on their talents.   Read More
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Why is it that some writers without much initial talent seem to develop very quickly? Or, how is it that writers who possess talent early on struggle to make progress? Last time, we looked at fixed vs. growth mindsets. Now, we’ll look at a variety of roadblocks that impede our progress. These roadblocks frustrate us, confuse us and deter us. But there is hope if we first recognize what they are.   Read More
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Each week during piano lessons, my piano teacher must have been frustrated that I didn’t practice enough that week yet I had enough talent to "get by" and move on to the next piece. Why was she frustrated? Because she knew I relied on talent. I had the wrong mindset. Does this sound familiar to you or someone you know?   Read More
Creating convincing characters that are believable takes time and discipline. Creating dynamically real individuals and not imposing your own thoughts and impressions upon them is not easy to do   Read More
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